Free Download Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know, by Jeremy Vineyard
Free Download Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know, by Jeremy Vineyard
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Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know, by Jeremy Vineyard
Free Download Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know, by Jeremy Vineyard
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About the Author
Vineyard is a writer and director.
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Product details
Paperback: 155 pages
Publisher: Michael Wiese Productions; 2nd edition (July 1, 2008)
Language: English
ISBN-10: 1932907424
ISBN-13: 978-1932907421
Product Dimensions:
11 x 0.4 x 7.7 inches
Shipping Weight: 15.2 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
62 customer reviews
Amazon Best Sellers Rank:
#497,931 in Books (See Top 100 in Books)
"Setting Up Your Shots" is a good entry-level book for filmmakers. It's all about what shot is best to tell the story and convey an idea to the audience.Each page of the book has a different type of "shot" that is used in filmmaking. This includes common shots like Pan, Tilt, Zoom, Pull Focus, etc. But it also includes shots that are rarely used, yet could be useful for a certain dramatic or stylistic effect. Some moves require cranes or other equipment, but most can be done either handheld or with a tripod. All types of camera techniques are discussed, as well as some common editing techniques thrown in for good measure.Each technique only gets one page, and the text does not get too in-depth. Fortunately, most pages include a sketch/illustration which gives you a visual example of the shot being described.The two best ways to learn about filmmaking are to:(1) watch great films, and(2) just go out and start shooting!This book embraces both of the ideas above. Included with each shot/camera technique is an example of 2-3 films that used that technique. The author does a good job selecting films/scenes that effectively used each type of shot - he recommends classics like The Third Man, Citizen Kane, Rear Window, etc... but he also cites many contemporary films such as The Matrix, Pirates of the Caribbean, and The Departed.Finally, the author suggests "Exercises" that you can do to increase your knowledge of cinematography... these range from simple observation exercises to actually picking up a camera and practicing these shots. The best way to learn these shots is to try them out yourself.I would say that if you want to work in Film/TV as a director or cinematographer, this book is a great entry into visual storytelling. This book is too simple for enthusiasts or professionals, but if you are a beginner then it will be an adequate resource for you without being too overwhelming.
A great resource for film-makers, animators, and comic artists. Worth the price of admission for the way every shot and technique is linked to a movie where you can see it in action!
What this boils down to is an 'avid student' of film-making has produced a listing of shots he's seen from watching movies. The shots are represented by a single story board illustration and a very brief explanation of the shot.My first reaction was to return this book for a refund. However, I've felt that my shooting style was falling into a rut lately, and I found a couple of examples in the book that I had been neglecting. So, I grudgingly admit I got something out of it, despite the fact the author has little, if any, experience actually producing movies.I think this book would have been more useful if it had been assembled as a pocket-sized, spiral-bound reference guide that could be used in the field. But, to be really useful, the author would need to learn more of the professional terminology and include good diagrams.My biggest gripe about this, and a few other "how-to" books, is that it lacks any evidence that the author has ever tried to do what he is telling us how to do. I don't think people who haven't tried out their own advice should be charging for it.
Just what you need to lean more ways to improve if you are not a film school grad (I'm not, had I gone, they would have been hand cranking the cameras at the time anyway). I picked up a number of ideas of ways to think about the shot setup to achieve a reaction. The real bonus was the section on editing your shots so it really is setting up shots in camera and getting the most out of what you have in post. I'd really recommend it.
i bought this book hoping to have an additional resource for inspiration when planning my shots, but out of the entire book there's probably only 1 or 2 pages that are even worth printing. the rest of the ideas are so obvious that i 'read' this book in about 20 min.it's basically a big list of moves, one page at a time. no noteworthy discussions about each one other than maybe a paragraph or two. no talk of blocking, or the logistics of actually setting up your shots on the set.just a list of ideas... tired ideas.it's also a very irregular shape, so it sticks out of my library like a sore thumb.'cinematic motion' by stephen katz is a much better place to start (as is his other book on directing--- 'shot by shot')don't waste your time with this.
Very informative for me as a beginner
The best book I have ever bought on setting up shots. It is written in a concise English with very succinct explanation about every shot. The item reached me within the time frame stated and in good condition.
I bought this book to review my shots--and to give my fellow producer/director a quick education in terms and shot design.The book is very good, giving 2 page briefs on various types of shots, including a list of films to look for them in, and a storyboard to show how the shot proceeds. the list of places where the particular shot has been used is especially nice, as it lets you go to the library of films and see how a shot works.It is in a fairly large and somewhat awkward format being wider than it is high--it's better to keep this one in the office or at home to scan when thinking than to take out in the field--a field book would be nice, as it could be used to explain shots to the actors/subjects (I'm shooting a documentary and jargon is Greek to most people.)
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